With a history spanning millennia, weaving has long been engaged as a craft of function and necessity. In Through Line, Eliza Bentz nods to the distance between weaving’s history as a utilitarian arrangement and its contemporary presence within the scope of fine art. Forsaking the traditional loom and its formulaic woven structure, Bentz shifts the grid into a third dimension. Thus, the planar field of weaving transcends itself, each point of connection spiraling, tubular, towards an eventual locus. Each piece becomes a portal, a bridge, a pathway to be travelled in the imaginings between what once was and what is yet to come.